{"id":1455,"date":"2021-02-27T21:35:47","date_gmt":"2021-02-27T20:35:47","guid":{"rendered":"http:\/\/szonyimuzeum.hu\/?page_id=1455"},"modified":"2026-04-09T13:16:33","modified_gmt":"2026-04-09T11:16:33","slug":"idoszaki-kiallitasok","status":"publish","type":"page","link":"https:\/\/szonyimuzeum.hu\/en\/idoszaki-kiallitasok\/","title":{"rendered":"Temporary exhibitions"},"content":{"rendered":"
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Temporary exhibitions<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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2026. m\u00e1rcius 27 – 2026. m\u00e1jus 10.
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NEM CSAK FEST\u0150 – Sz\u0151nyi Istv\u00e1n (1894-1960) m\u0171v\u00e9sz \u00e9s emberment\u0151
<\/strong><\/span>c\u00edm\u0171 id\u0151szaki ki\u00e1ll\u00edt\u00e1sunk m\u00e1jus 10-ig l\u00e1togathat\u00f3.<\/span><\/p>

\u201eAz \u00e9let nem t\u0171r halogat\u00e1st, nem v\u00e1r, elm\u00falik. Nincs m\u00f3dunk magunkat id\u0151ben sem el\u0151re, sem h\u00e1tra helyezni; v\u00e1llalni kell korunkat s helyt \u00e1llni az\u00e9rt az eszm\u00e9ny\u00e9rt, amelynek szolg\u00e1lat\u00e1ra a tehets\u00e9g k\u00f6telez.\u201d \/Sz\u0151nyi Istv\u00e1n\/<\/em><\/span><\/p>

Az \u00f6narck\u00e9pen, amit egy \u00e9vvel a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa v\u00e9ge ut\u00e1n festett, Sz\u0151nyi \u00f6tvenk\u00e9t \u00e9ves. Sokat meg\u00e9lt ember, aki er\u0151s tekintet\u00e9vel szinte \u00e1tf\u00farja a pap\u00edrt ahogy a szem\u00fcnkbe n\u00e9z. Az \u00f6narck\u00e9p Genfben k\u00e9sz\u00fclt, egy karitat\u00edv utaz\u00e1s sor\u00e1n, amikor m\u00e1s m\u0171v\u00e9szekkel egy\u00fctt n\u00e9h\u00e1ny hetet Sv\u00e1jcban t\u00f6lthetett, az akkor ott \u00e9l\u0151 \u00edr\u00f3, Hubay Mikl\u00f3s szervez\u00e9s\u00e9ben. Az utaz\u00e1s c\u00e9lja a h\u00e1bor\u00fat elszenvedett m\u0171v\u00e9szek megseg\u00edt\u00e9se, az elszenvedett lelki \u00e9s fizikai s\u00e9r\u00fcl\u00e9sek, traum\u00e1k enyh\u00edt\u00e9se volt. Sz\u0151nyit is \u00e9rt\u00e9k vesztes\u00e9gek, budapesti m\u0171teremlak\u00e1s\u00e1t bombatal\u00e1lat \u00e9rte, sok m\u00e1s m\u0171v\u00e9szt\u00e1rs\u00e1hoz hasonl\u00f3an neki is t\u00f6bb alkot\u00e1sa megsemmis\u00fclt. Sz\u00e1m\u00e1ra azonban a legnagyobb csap\u00e1st nem ez, hanem tizennyolc \u00e9ves fia, P\u00e9ter hal\u00e1la jelentette, aki agyh\u00e1rtyagyullad\u00e1sban hunyt el 1945-ben.<\/p>

Apja mellett \u0151 is akt\u00edvan r\u00e9szt vett az emberek ment\u00e9s\u00e9ben a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa alatt, t\u00f6bb m\u00e1s csal\u00e1dtagj\u00e1val egy\u00fctt. A v\u00e9szkorszak, a t\u00f6meges deport\u00e1l\u00e1sok idej\u00e9n, sokak \u00e9let\u00e9t megmentett\u00e9k, t\u00f6bbeket a budapesti, Baross utcai m\u0171teremlak\u00e1sukban bujtatva \u00e9s hamis iratokat el\u00e1ll\u00edtva, amelyb\u0151l sz\u00e1zn\u00e1l is t\u00f6bbet k\u00e9sz\u00edtettek h\u00e1zilag, majd juttattak el k\u00fcl\u00f6nb\u00f6z\u0151 utakon a r\u00e1szorul\u00f3knak. Err\u0151l a tev\u00e9kenys\u00e9gr\u0151l nem besz\u00e9ltek, egym\u00e1ssal is csak a legsz\u00fcks\u00e9gesebb inform\u00e1ci\u00f3kat osztott\u00e1k meg nehogy az esetleges letart\u00f3ztat\u00e1s sor\u00e1n vallat\u00e1ssal m\u00e1sokra vesz\u00e9lyes vallom\u00e1st k\u00e9nyszer\u00edtsenek ki bel\u0151l\u00fck. A legautentikusabb forr\u00e1s err\u0151l az id\u0151szakr\u00f3l Sz\u0151nyi Jol\u00e1n, a fest\u0151 l\u00e1nya visszaeml\u00e9kez\u00e9se, aki maga is r\u00e9szt vett az emberment\u0151 tev\u00e9kenys\u00e9gben.<\/p>

A megmentettek k\u00f6z\u00f6tt volt Sz\u0151nyi egyik tan\u00edtv\u00e1nya, R\u00f3bert (Rosenberg) Mikl\u00f3s (1911-2001) fest\u0151, aki \u00e9vekkel k\u00e9s\u0151bb megpr\u00f3b\u00e1lta felkutatni sorst\u00e1rsait, akik szint\u00e9n Sz\u0151nyi\u00e9knek k\u00f6sz\u00f6nhetik megmenek\u00fcl\u00e9s\u00fcket. A megtal\u00e1lt t\u00fal\u00e9l\u0151k tan\u00favallom\u00e1sait elk\u00fcldte Jeruzs\u00e1lembe, a H\u0151s\u00f6k \u00e9s M\u00e1rt\u00edrok M\u00fazeum\u00e1ba, ahol d\u00f6nt\u00f6ttek arr\u00f3l, hogy Sz\u0151nyi Istv\u00e1n \u00e9s csal\u00e1dja megkapja a Jad Vasem \/Vil\u00e1g Igaza kit\u00fcntet\u00e9st.<\/p>

Sz\u0151nyi Istv\u00e1n kiv\u00e9teles, karizmatikus szem\u00e9lyis\u00e9g volt, aki eg\u00e9sz \u00e9let\u00e9ben megtett mindent, hogy seg\u00edtsen a r\u00e1szorul\u00f3kon. Kort\u00e1rsai \u00e9s a k\u00e9s\u0151bbi gener\u00e1ci\u00f3k nemcsak tehets\u00e9g\u00e9t, de embers\u00e9g\u00e9t is elismert\u00e9k. Kiv\u00e9teles jellem\u00e9t, bels\u0151 erej\u00e9t az is bizony\u00edtja, sem a h\u00e1bor\u00fak, sem a szem\u00e9lyes trag\u00e9di\u00e1k nem t\u00f6rt\u00e9k meg \u0151t annyira, hogy elvesz\u00edtse az \u00e9letbe, m\u0171v\u00e9szetbe vetett hit\u00e9t. Nemcsak, hogy ember tudott maradni, de alkot\u00e1sai is meg\u0151rizt\u00e9k azt a szel\u00edd harm\u00f3ni\u00e1t \u00e9s der\u0171s l\u00edrais\u00e1got, amely nemcsak m\u0171v\u00e9szet\u00e9t, de szem\u00e9ly\u00e9t is jellemezte. A ki\u00e1ll\u00edt\u00e1son bemutatott alkot\u00e1sok k\u00f6zvet\u00edtik a Sz\u0151nyi m\u0171v\u00e9szet\u00e9re jellemz\u0151 id\u0151tlens\u00e9get, eleganci\u00e1t, a hozz\u00e1juk kapcsol\u00f3d\u00f3 t\u00f6rt\u00e9netekkel egy\u00fctt pedig r\u00e1ir\u00e1ny\u00edtj\u00e1k a figyelmet a fest\u0151 \u00e9let\u00e9nek m\u00e9rf\u00f6ldk\u00f6veire, amelyek sokszor \u00f6sszekapcsol\u00f3dnak a t\u00f6rt\u00e9nelemmel.
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2025. november 15 – 2026. m\u00e1rcius 15.
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PANTHEISTIC PARALLELS
<\/strong>Artistic Drawings of Creation in the Works of Istv\u00e1n Sz\u0151nyi and Attila Nagy<\/strong><\/p>

\"I walk here practically every day on the Roundabout, where there is a beautiful, huge plane tree. Every time I go by, I look at it. It's beautiful when it's bare, beautiful when it's leafy, beautiful when it sheds its leaves, and beautiful when it opens its buds. I looked at this tree until I found God for myself.<\/em>\"<\/span><\/p>

Ten days after his 58th birthday, Istv\u00e1n Sz\u0151nyi wrote the above thoughts in a letter dated 27 January 1952 to his daughter Zsuzsa, who lived in Rome. In his pantheistic reflections, he reflects on his fascination with nature, or as he calls it, the seemingly senseless order of organic life, for example the inexplicable arrangement of tree branches, which, although far from being structured according to human logic, is perfect as it is, and therefore certainly divine. The philosophical orientation of pantheism, which considers God to be present in all earthly things, even in the most minute manifestations of nature, is a common feature of the artistic and natural approach of Istv\u00e1n Sz\u0151nyi and Attila Nagy. Both are strongly connected to nature, and nature is often the subject of their works. Their distinctive visionary depictions of animals and landscapes are also related, as is their commitment to drawing. Attila Nagy considers himself primarily a sculptor who draws a lot. Not only does he make preparatory studies and sketches for his sculptures, for him drawing is a way of self-expression that is both relaxing and meditative. His prints, like Sz\u0151nyi's works, are based on the real view, but - \"avoiding the trap of naturalism\", as the painter Aur\u00e9l Bern\u00e1th, Sz\u0151nyi's friend, said - they convey moods, feelings and thoughts.<\/p>

Attila Nagy considers Sz\u0151nyi his role model, and he created the bust of him in Zebeg\u00e9ny in 2001. As a child, in a portrait film of him, he watched with fascination as the ageing painter's gaze almost \"hunted down the subject\" and then captured what he saw with incredibly quick movements. It is with the same eye that he, as an artist, observes the world around him, looking for subjects that present themselves. The exhibited works, in addition to their thematic and technical similarities, show the hunter's attitude of both artists, but also a childlike curiosity and playfulness, a humility in their approach to nature, which they do not want to dominate, either as artists or as humans, but only to become part of it, to be part of it and to show its multifaceted perfection on a pedestal.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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24 May - 2 November 2025.
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At home, Sweet<\/em> home
<\/strong>Intimate spaces, talkative objects - intimism in the art of Istv\u00e1n Sz\u0151nyi<\/strong><\/p>

Thematic exhibition series of Istv\u00e1n Sz\u0151nyi's graphic works fourth<\/em> came to the exhibition. Village life<\/em>, Life on the waterfront<\/em>, and the Father and daughter<\/em> After temporary exhibitions, the current theme is Istv\u00e1n Sz\u0151nyi's home, the interior and exterior spaces surrounding him, and mainly his home in Zebeg\u00e9ny.<\/p>

Istv\u00e1n Sz\u0151nyi (1894, \u00dajpest - 1960, Zebeg\u00e9ny) moved to Zebeg\u00e9ny as a young married man in 1924, at the age of thirty, to start his life together with his wife Melinda and their first child, the newborn Zsuzsa, in his father-in-law's summer house. They lived in Zebeg\u00e9ny as permanent residents until 1930, and in 1926 their son P\u00e9ter was born here. When Zsuzsa started school, they moved to Budapest, to the studio apartment in Baross Street. From then on Sz\u0151nyi lived a two-family life, and in the summer the whole family moved to Zebeg\u00e9ny, where other painters followed Sz\u0151nyi in the years between the two world wars to discover the village and the Danube Bend. After 1949 the Sz\u0151nyi couple moved to Zebeg\u00e9ny for good. P\u00e9ter was no longer alive and died in 1945, aged 18, of meningitis. Zsuzsa married in 1944, and she and her husband, M\u00e1ty\u00e1s Triznya, defected in 1949 and settled in Rome.<\/p>

Sz\u0151nyi considered Zebeg\u00e9ny his real home. Here he could enjoy both the rural life close to nature, with which he was in perfect harmony, and the environment that became the main source of inspiration for his art. He did not consider himself a city man. He loved the simple life of the countryside, working with animals and gardening. As a painter, the landscape, the people who lived with nature, but also the intimate moments of family life, and with them the simple, happy everyday settings and accessories, the furniture and objects in which they lived their daily lives, were an unquenchable source of inspiration for him.<\/p>

Sz\u0151nyi's home extended beyond the rooms, the walls of the house and even the garden, manifesting itself in feelings and thoughts, which he expressed in his intimate works with complex messages and intimate moods, radiating timelessness.<\/p>

Sz\u0151nyi had a special relationship with the everyday objects of his environment. He paid as much attention to them as he did to people, animals or the landscape. His pantheistic view extended not only to the most minute manifestations of nature, but also to the objects that surrounded him. He loved objects, he appreciated them, he noticed what others did not, the atmosphere they created. He recognised the feelings and thoughts that arose in him as a result of the sight, and he recorded them immediately. In this way he captured in their freshness the idealized snapshots of reality, the most extreme and sincere impressions of which became his graphics, his gouache paintings.<\/p>

His paintings of objects are not arranged still lifes. The objects were not arranged for the sake of composition. Sz\u0151nyi simply noticed when the objects \"spoke\" to him at a particular moment, thus initiating the process of creation.<\/p>

Intimism, which focused on the everyday objects of everyday life and intimate moments, and which emerged as an artistic movement at the beginning of the 20th century, was also close to Sz\u0151nyi from his time in Zebeg\u00e9nyi. The painter, who had served in the army throughout the First World War, was one of those artists who, after the war, turned their art towards landscapes radiating beauty and timelessness, towards nature, which was always reborn, and drew their themes from it. His intimate interior paintings are similarly inspired.<\/p>

In reality, Sz\u0151nyi was a reserved, reserved man who communicated with the world through his art. He always studied his environment from the background, as a silent observer. He also let us into his intimate sphere while keeping his person hidden.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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25 May 2024 - 29 December 2024.<\/span><\/h6>

Father and daughter - The world of childhood in Sz\u0151nyi's art<\/span><\/h4>

The exhibition traces an arc from Istv\u00e1n Sz\u0151nyi's childhood to his becoming a father, and from the birth of his daughter Zsuzsa to her becoming a granddaughter. Sz\u0151nyi moved with his wife, Melinda Bart\u00f3ky, to his father-in-law's summer house in Zebeg\u00e9ny in 1924 and in the same year his daughter Zsuzsa was born, followed two years later by his son P\u00e9ter. It was in Zebeg\u00e9ny that Sz\u0151nyi's painting came to fruition, where he developed his distinctive and unique style. The subjects of his paintings also changed. In addition to the Danube landscape, nature and the people living with it, family, home and intimate, intimate moments came to the fore. He made many sketches, studies and paintings of his wife and children, which follow their development. Their graphic works are at once lyrical, emotional, personal and timeless. The exhibition is primarily a thematic selection of the rarely exhibited graphic material in the collection, but also includes some of Sz\u0151nyi's paintings from his childhood. The exhibition also includes family photographs, most of which were taken by the painter himself of his family and children, with artistic exactitude.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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In the exhibition Father and Daughter - The World of Childhood in the Paintings of Istv\u00e1n Sz\u0151nyi, we have also thought of the youngest museum visitors. While the parents are looking at the exhibition, the little ones won't be bored either! The childhood drawings of Istv\u00e1n Sz\u0151nyi and his sister Anna are displayed on the walls at their height.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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23 September 2023 - 28 April 2024.<\/strong><\/span><\/h6>

Zebeg\u00e9ny through Sz\u0151nyi's eyes - Life on the waterfront<\/strong><\/h4>

An exhibition of Istv\u00e1n Sz\u0151nyi's rarely seen graphic works has opened at the Sz\u0151nyi Istv\u00e1n Memorial Museum in Zebeg\u00e9ny. While the first of the two-part exhibition series was about village life in Zebeg\u00e9ny, the second focuses on life on the waterfront.<\/strong>\u00a0The theme of the watercolours, drawings and etchings presented here is the idyllic environment discovered by Sz\u0151nyi, the Danube landscape and the people who live with it.<\/strong><\/h4>

Just like the previous exhibition, most of the graphic works, which form an important part of Sz\u0151nyi's oeuvre, are sketches, studies, a kind of visual note, sometimes a snapshot captured with a few strokes, sometimes a more elaborate composition, reflecting the deep attachment that Sz\u0151nyi had to Zebeg\u00e9ny and the Danube.<\/p>

Sz\u0151nyi, one of the most successful members of the generation of Hungarian painters between the two world wars, moved from the capital to Zebeg\u00e9ny in 1924, at the age of thirty, as a young married couple, which marked a turning point in his life and his art. It was here that he found everything he needed to develop his art, discovered the inseparable unity of man and landscape, and the beauty of simple things. His main subjects, besides the Danube bend, became village life, his family and the surrounding landscape. He spent a lot of time capturing life on the waterfront, fishermen, people waiting for the ferryman, boats rocking in solitude and the landscape of the Danube in general. With his lyrical style, he conjured up an idyllic Arcadia of the small Danube-side village, in which the river and the people who live alongside it play a leading role.<\/p>

As a member of the Gresham Circle, founded in the mid-1920s, Sz\u0151nyi was one of those artists who chose quiet retirement instead of active social involvement after the Great War and the events that followed in Hungary. The members of the circle did not believe that things could be changed, were not political, distanced themselves from modern artistic aspirations, and were far removed from the avant-garde spirit. They believed in eternal values, such as nature, and in painting based on nature, which had its roots in Nagyb\u00e1nya. The small village of Zebeg\u00e9ny, hidden among the hills in the Danube bend, offered an ideal setting for immersion in the simple beauty of nature and life.<\/p>

Sz\u0151nyi produced countless sketches and studies, captivating in their freshness and spontaneity. The pictures, which can be regarded as full-fledged works of art, trace the behind-the-scenes of the creative process, and show the artist experimenting with different techniques, compositional methods, colours and lights.<\/p>

In addition to his paintings from Zebeg\u00e9ny, the exhibition also includes sketches and watercolours he made during his travels, including the paintings he did in Italy in the last months of his life.<\/p>

In 1957 and 1959 Sz\u0151nyi visited his daughter Zsuzsa in Rome, who had emigrated with her husband, M\u00e1ty\u00e1s Triznya in 1949. During her last visit in 1959, she made many sketches on the beaches and harbours around Rome, making up for what she had missed as a Rome scholar in 1929. The material was to have been shown in an exhibition in Italy, which was cancelled after his death in 1960.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Browse the catalogue of the two-part exhibition Zebeg\u00e9ny through Sz\u0151nyi's eyes:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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20 May 2023 - 17 September 2023.<\/strong><\/span><\/h6>

Zebeg\u00e9ny through Sz\u0151nyi's eyes - Village life<\/strong><\/span><\/h3>

The exhibition is a selection of graphic material from the collection, which visitors can only see on special occasions. The watercolours, drawings and etchings on display are artistic impressions of the simple rural life that Sz\u0151nyi loved so much.<\/p>

Sz\u0151nyi found everything he needed to develop his art in Zebeg\u00e9ny. He was able to study the inseparable unity of man and landscape at close quarters, to immerse himself in the beauty of simple things. After his move here, the main subjects of his painting became the landscape, village life, his family and his idyllic everyday life, with the animals and objects he used every day.<\/p>

He made countless sketches and studies - captivating in their freshness and spontaneity - of people and animals at work, captured in stolen moments. The pictures, which could be considered full-fledged works of art, reveal the behind-the-scenes of the creative process, showing the artist experimenting with different techniques, compositions, colours and lights, which he later used in his panel paintings. Sz\u0151nyi was constantly collecting material for his paintings, capturing everything he found interesting about the world around him. He started from the realistic view, but his works go beyond naturalism. They are characterised by Sz\u0151nyi's lyricism, the serenity and humanity that radiates from him and that shines through in all his works.<\/p>

The temporary exhibition is open from 20 May to 13 August.<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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May 2021 - December 2022\u00a0<\/strong><\/span><\/h6>

Two creators, Master and Disciple<\/strong><\/span><\/h3>

A selection of works by Istv\u00e1n Sz\u0151nyi and M\u00e1ty\u00e1s Triznya from Italy.<\/em><\/strong><\/span><\/h4>

We show Rome and its surroundings through the eyes of two artists, Master and Disciple, father-in-law and son-in-law. In addition to his creative work, Istv\u00e1n Sz\u0151nyi was also a teacher. His son-in-law M\u00e1ty\u00e1s Triznya was his pupil at his private school. Not only did he learn the tricks of the trade from his father-in-law, but they were also friends. Shortly before his death, he gave this testimony about their relationship:<\/p>

\"It took long, long decades before one could safely pick up a brush, especially in the shadow of a great painter like Istv\u00e1n Sz\u0151nyi...\"<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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23 October 2019 - 14 May 2020.<\/span><\/strong><\/h6>

Faces, confessions<\/strong><\/span><\/h3>
Self portrait<\/strong><\/span><\/h5>

From the early stages of his career, Sz\u0151nyi was keen to immortalise himself. The works form an almost coherent \"self-portrait gallery\", showing the artist's constantly changing face. His very early paintings from the period 1910-11, despite their eventuality, already present the image of a self-conscious artist.<\/p>

Family portraits <\/strong><\/span><\/h5>

In Sz\u0151nyi's paintings, his family members and relatives play a prominent role. From 1924 in particular, his pictures of his parents and siblings are replaced by portraits of his wife and child. The figures he loved most were depicted in the most varied ways and techniques. From fresh pencil and charcoal drawings to reproduced prints and large painted panels. In the final section of the exhibition, you will see more portraits of the characters and typical figures of the Zebeg\u00e9ny village life that you have found.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Id\u0151szaki ki\u00e1ll\u00edt\u00e1sok 2026. m\u00e1rcius 27 – 2026. m\u00e1jus 10. NEM CSAK FEST\u0150 – Sz\u0151nyi Istv\u00e1n (1894-1960) m\u0171v\u00e9sz \u00e9s emberment\u0151 c\u00edm\u0171 id\u0151szaki ki\u00e1ll\u00edt\u00e1sunk m\u00e1jus 10-ig l\u00e1togathat\u00f3. \u201eAz \u00e9let nem t\u0171r halogat\u00e1st, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_mc_calendar":[],"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"class_list":["post-1455","page","type-page","status-publish","hentry"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/pages\/1455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/comments?post=1455"}],"version-history":[{"count":436,"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/pages\/1455\/revisions"}],"predecessor-version":[{"id":14213,"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/pages\/1455\/revisions\/14213"}],"wp:attachment":[{"href":"https:\/\/szonyimuzeum.hu\/en\/wp-json\/wp\/v2\/media?parent=1455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}